{"id":160,"date":"2026-01-29T06:10:00","date_gmt":"2026-01-29T05:10:00","guid":{"rendered":"https:\/\/lepitchetaitpresqueparfait.fr\/?p=160"},"modified":"2026-01-28T23:00:45","modified_gmt":"2026-01-28T22:00:45","slug":"comptoir-time-machine-retrospective-de-janvier-1976-2016","status":"publish","type":"post","link":"https:\/\/lepitchetaitpresqueparfait.fr\/?p=160","title":{"rendered":"Comptoir Time Machine : R\u00e9trospective de Janvier (1976 &#8211; 2016)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Dans cet \u00e9pisode de janvier 2026, l&rsquo;\u00e9quipe du <strong>Cin\u00e9 du Commerce<\/strong> analyse l&rsquo;\u00e9volution des sorties cin\u00e9ma sur cinq d\u00e9cennies<sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup>. Un voyage analytique qui permet de confronter les \u00e9poques et les genres.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">L&rsquo;Exigence du 70mm et l&rsquo;H\u00e9ritage Tarantino (2016)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">L&rsquo;\u00e9pisode s&rsquo;ouvre sur <em>Les Huit Salopards<\/em> de Quentin Tarantino<sup><\/sup><sup><\/sup>. L&rsquo;occasion de discuter de la n\u00e9cessit\u00e9 de voir certains films dans des formats techniques sp\u00e9cifiques (65\/70mm) pour en saisir toute la profondeur th\u00e9\u00e2trale et claustrophobique<sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Du Cynisme au M\u00e9lodrame (2006)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Le milieu des ann\u00e9es 2000 est marqu\u00e9 par une dualit\u00e9 forte : le thriller g\u00e9opolitique cynique repr\u00e9sent\u00e9 par <em>Lord of War<\/em> et la r\u00e9volution \u00e9motionnelle du western avec <em>Le Secret de Brokeback Mountain<\/em>, une \u0153uvre qualifi\u00e9e de \u00ab\u00a0r\u00e9ussite absolue\u00a0\u00bb<sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Le Choc Visuel et Culturel (1996)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">1996 reste l&rsquo;ann\u00e9e du s\u00e9isme <em>Seven<\/em> de David Fincher<sup><\/sup>. L&rsquo;analyse porte sur la capacit\u00e9 du film \u00e0 red\u00e9finir le genre du polar noir, tout en mentionnant la satire controvers\u00e9e de Paul Verhoeven, <em>Showgirls<\/em>, dont le message est aujourd&rsquo;hui r\u00e9\u00e9valu\u00e9 malgr\u00e9 la \u00ab\u00a0haine\u00a0\u00bb initiale des critiques<sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">L&rsquo;Invention du Blockbuster Moderne (1976)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Enfin, le voyage se termine en 1976, ann\u00e9e charni\u00e8re o\u00f9 Steven Spielberg invente le \u00ab\u00a0blockbuster d&rsquo;\u00e9t\u00e9\u00a0\u00bb avec <em>Les Dents de la Mer<\/em><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup>. L&rsquo;\u00e9quipe souligne l&rsquo;importance des coulisses et du tournage l\u00e9gendaire de ce film qui a chang\u00e9 l&rsquo;industrie pour toujours<sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup>.<\/p>\n\n\n\n<iframe name=\"Ausha Podcast Player\" frameborder=\"0\" loading=\"lazy\" id=\"ausha-Iils\" height=\"220\" style=\"border: none; width:100%; height:220px\" src=\"https:\/\/player.ausha.co\/?showId=bWKQkHVDXNpJ&#038;color=%23751CBF&#038;display=horizontal&#038;multishow=false&#038;playlist=false&#038;dark=false&#038;t=0&#038;podcastId=brD6VU5KJJY1&#038;v=3&#038;playerId=ausha-Iils\"><\/iframe><script src=\"https:\/\/player.ausha.co\/ausha-player.js\"><\/script>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<h2 class=\"wp-block-heading\">\u2753 FAQ<\/h2>\n<details class=\"wp-block-details\">\n<summary>Quel film de Quentin Tarantino est analys\u00e9 dans cet \u00e9pisode ?<\/summary>\n<p>Il s&rsquo;agit du film <strong>\u00ab\u00a0Les Huit Salopards\u00a0\u00bb<\/strong> (2016), vu par l&rsquo;\u00e9quipe en projection 70mm \u00e0 la Cin\u00e9math\u00e8que.<\/p>\n<\/details>\n<details class=\"wp-block-details\">\n<summary>Quel est le film marquant de l&rsquo;ann\u00e9e 1976 mentionn\u00e9 par Xad et Mister E ?<\/summary>\n<p>Le film embl\u00e9matique est <strong>\u00ab\u00a0Les Dents de la Mer\u00a0\u00bb<\/strong> de Steven Spielberg, consid\u00e9r\u00e9 comme l&rsquo;inventeur du blockbuster moderne.<\/p>\n<\/details>\n<details class=\"wp-block-details\">\n<summary>Pourquoi l&rsquo;\u00e9pisode mentionne-t-il David Fincher ?<\/summary>\n<p>L&rsquo;\u00e9quipe revient sur la sortie de <strong>\u00ab\u00a0Seven\u00a0\u00bb<\/strong> en janvier 1996, un film qu&rsquo;ils consid\u00e8rent comme l&rsquo;un des plus marquants du genre policier.<\/p>\n<\/details>\n\n\n<p class=\"wp-block-paragraph\"><strong>00:00 &#8211; 00:01:25 | Introduction &amp; Mise en ambiance<\/strong> Arriv\u00e9e au bar, commande des boissons et pr\u00e9sentation du concept de la \u00ab\u00a0Time Machine\u00a0\u00bb pour janvier 2026<sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>00:01:25 &#8211; 00:10:45 | Janvier 2016 : De Tarantino \u00e0 l&rsquo;animation japonaise<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Les Huit Salopards<\/em> et l&rsquo;exigence du 70mm.<\/li>\n\n\n\n<li>La d\u00e9ception <em>Mistress America<\/em>.<\/li>\n\n\n\n<li>Focus sur <em>Carol<\/em> de Todd Haynes et <em>Le Gar\u00e7on et la B\u00eate<\/em> de Hosoda.<\/li>\n\n\n\n<li>L&rsquo;Oscar de <em>Spotlight<\/em>.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>00:10:45 &#8211; 00:21:30 | Janvier 2006 : G\u00e9opolitique et Grands Espaces<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Lord of War<\/em> et le trafic d&rsquo;armes.<\/li>\n\n\n\n<li>Le journalisme chez Clooney avec <em>Good Night and Good Luck<\/em>.<\/li>\n\n\n\n<li>Le choc <em>Brokeback Mountain<\/em> et l&rsquo;efficacit\u00e9 de <em>Munich<\/em>.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>00:21:30 &#8211; 00:31:40 | Janvier 1996 : Polars cultes et S\u00e9ropositivit\u00e9<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Dead Man<\/em> de Jarmusch.<\/li>\n\n\n\n<li>La r\u00e9\u00e9valuation de <em>Showgirls<\/em> de Verhoeven.<\/li>\n\n\n\n<li>Le monument <em>Seven<\/em> de Fincher.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>00:31:40 &#8211; 00:41:20 | Janvier 1986 &amp; 1976 : Mythes et Blockbusters<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>La nostalgie <em>Rocky IV<\/em> (et la honte de Xad).<\/li>\n\n\n\n<li>L&rsquo;hommage \u00e0 Marl\u00e8ne Jobert via Claude Lelouch.<\/li>\n\n\n\n<li>Le final avec <em>Un apr\u00e8s-midi de chien<\/em> et <em>Les Dents de la Mer<\/em>.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>00:41:20 &#8211; Fin | Outro &amp; Statistiques IA<\/strong> D\u00e9bat sur le temps de parole respectif des chroniqueurs et cl\u00f4ture de l&rsquo;\u00e9mission<sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup><sup><\/sup>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans cet \u00e9pisode de janvier 2026, l&rsquo;\u00e9quipe du Cin\u00e9 du Commerce analyse l&rsquo;\u00e9volution des sorties cin\u00e9ma sur cinq d\u00e9cennies. Un voyage analytique qui permet de confronter les \u00e9poques et les genres. L&rsquo;Exigence du 70mm et l&rsquo;H\u00e9ritage Tarantino (2016) L&rsquo;\u00e9pisode s&rsquo;ouvre sur Les Huit Salopards de Quentin Tarantino. L&rsquo;occasion de discuter de la n\u00e9cessit\u00e9 de voir [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":161,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[40],"saison":[],"class_list":["post-160","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-comptoir-time-machine","tag-40"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Comptoir Time Machine : R\u00e9trospective de Janvier (1976 - 2016) - Le Pitch \u00e9tait presque parfait<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lepitchetaitpresqueparfait.fr\/?p=160\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Comptoir Time Machine : R\u00e9trospective de Janvier (1976 - 2016) - Le Pitch \u00e9tait presque parfait\" \/>\n<meta property=\"og:description\" content=\"Dans cet \u00e9pisode de janvier 2026, l&rsquo;\u00e9quipe du Cin\u00e9 du Commerce analyse l&rsquo;\u00e9volution des sorties cin\u00e9ma sur cinq d\u00e9cennies. Un voyage analytique qui permet de confronter les \u00e9poques et les genres. L&rsquo;Exigence du 70mm et l&rsquo;H\u00e9ritage Tarantino (2016) L&rsquo;\u00e9pisode s&rsquo;ouvre sur Les Huit Salopards de Quentin Tarantino. 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